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The scandal surrounding Documenta 15 in 2022, according to the editors of the volume, fundamentally revolved around the question of the iconic figure of exploitation, displacement, and annihilation: Which group claims this role for itself today—in the political dispute over hegemony and decolonization, universal human rights, and individual liberation imperatives? Are we living in times where the image of the "innocent Jew" is being replaced by that of the "innocent slave"? The volume analyzes the entire dynamics of the postcolonial discourse regarding rights to speak and silence, fundamental representation taboos, and necessary visibility, as well as the condemnation of anti-Semitism and outrage over racism surrounding Documenta 15. It also considers the immediate history of the art exhibition, the role of the city of Kassel as the "documenta city," the significance of "criticism of Israel" in the postcolonial discourse, and the question of the boundaries of art along with the associated notions of anti-Semitism and postcoloniality.

Actual product image Kunst im Streit (German, Heinz booth, Oliver Marchart, 2025)

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